As described by Jonathan Goodman for The Brooklyn Rail: 'The center of “Postscript”is taken up by two columns—green on the left and blue on the right—their edges meeting in the...
As described by Jonathan Goodman for The Brooklyn Rail:
"The center of “Postscript”is taken up by two columns—green on the left and blue on the right—their edges meeting in the middle of the painting, creating a seam that bisects the composition. On the edges are the broad brushstrokes—black and white and red—that Fishman is known for. These are powerful works of art, whose vitality stems from an appreciation of European culture merged with American spontaneity and force."