Piece of my Heart

March 1 - April 1, 2023

“Didn't I make you feel like you were the only man, well yeah

Didn't I give you nearly everything that a woman possibly can

Honey, you know I did

And each time I tell myself that I, well I think I've had enough

But what I'm gonna show you, baby, that a woman can be tough

I want you to come on, come on, come on, come on and take it

Take another little piece of my heart now, baby.”

  • Excerpt from “Piece of My Heart” by Janis Joplin

 

The song “Piece of My Heart” depicts a lovelorn woman so enraptured by her lover that she's willing to break off yet another piece of her heart if only he will take it. With this group exhibition of the same title, 20 artists examine love, heartbreak, and the macabre that coincide with the lyrics once written by Joplin. Featured are works by Alberto Pazzi, Barbara Kruger, Carlos Betancourt, Christopher Tanner, Donna Napoli-Steele, Erika Keck, George Condo, Ghada Amer, Huma Bhabha, Jessica Harrison, Jimi Dams, Kim McCarty, Marilyn Minter, Marta Martino, Maynard Monrow, Raqib Shaw, Richard Gabriele, Robert Flynt, Stacey Lee-Webber, & Sterling Ruby. 

 

Artists, for centuries, have created work that depicts love & loss. The curating teams self-diagnosed “romanticism” allows space for others to “fall in and out of love” - while the artists explore the wonders of personal and historic depictions of these experiences. The exhibition title’s double entendre shows that with matters of the heart, there is no more extraordinary “piece” than that of the connectivity that ties all the artists together. The curation explores the uniqueness within the sensations of yearning - that everyone has encountered throughout their lives. The works in Piece of My Heart oscillate between painting, drawing, sculpture, and installation. From inception to execution, the exhibition is a genuine question of individual concepts of the heart while further dissecting the the historical roots of a commercialized holiday known as a day to express admiration - that unbeknownst to most comes from the gruesome demise of Saint Valentine who defied Claudius the Cruel and married young lovers at a time of war.

  • David Alexander Flinn, Every Thorn Has Its Rose, 2018

    David Alexander Flinn

    Every Thorn Has Its Rose, 2018
    Driftwood, spray paint, stainless steel, fire
    90 x 18 inches
  • The Rocky Horror Picture Show original coffin clock
    The Rocky Horror Picture Show original coffin clock

    From the cult classic film, a deeper historically rooted story that takes us on a "time warp"

     

    An excerpt regarding the coffin from  Ken Paul Antique Property Hire (22/23 England's Lane NW 4TG) on December 20th, 1973

     

    "The most bizarre item in the sale was an inlaid mahogany coffin shaped long-case clock. Behind the wheel dial is a human skull & skeleton & decorated crossbones ivory. The clock belonged to the Countess of Rosslyn, wife of the 5th Earl, who is said to have traveled everywhere with it (Rumor is that the skeleton was the man who was her lover.) 

  • Rocky Horror Picture Show, Coffin clock

    Rocky Horror Picture Show

    Coffin clock
    Wood, skeleton, clock mechanism
  • Sterling Ruby, Vampire 122, 2013

    Sterling Ruby

    Vampire 122, 2013
    Fabric and fibre fill
    84 x 36.25 x 6.875 inches
  • Marilyn Minter, Tangle, 2013

    Marilyn Minter

    Tangle, 2013
    Enamel on metal
    24 x 30 inches
  • Marilyn Minter, Vampire, 2004

    Marilyn Minter

    Vampire, 2004
    C-print
    51 x 37 inches
    2023-01-05
  • Marilyn Minter, Blue Tears, 2004

    Marilyn Minter

    Blue Tears, 2004
    C-print
    51 x 37 inches
    2023-01-05
  • Alberto Pazzi , The Brooklyn based artist has entered his blue period with this selection of new works

    Alberto Pazzi

    The Brooklyn based artist has entered his blue period with this selection of new works
  • Alberto Pazzi, Ol’ Stanleying, 2023

    Alberto Pazzi

    Ol’ Stanleying, 2023
    Acrylic on canvas
    36 x 24 inches
  • Alberto Pazzi, Crushed Expectations, 2023

    Alberto Pazzi

    Crushed Expectations, 2023
    Acrylic on canvas
    36 x 24 inches
  •  
  • Erika Keck, Untitled, 2020

    Erika Keck

    Untitled, 2020
    Acrylic, paint, felt, plywood
    14 x 20 inches
  • Erika Keck, Untitled, 2020

    Erika Keck

    Untitled, 2020
    Acrylic, paint, felt, plywood
    15 x 15.5 inches
  • Richard Gabriele

    Carpet of the Broken Heart: Inside Joke For Every Lonesome Hunter
    • Richard Gabriele, Carpet of the Broken Heart: Inside Joke Fro Every Lonesome Hunter (No. 1), 2023
      Richard Gabriele, Carpet of the Broken Heart: Inside Joke Fro Every Lonesome Hunter (No. 1), 2023
    • Richard Gabriele, Carpet of the Broken Heart: Inside Joke Fro Every Lonesome Hunter (No. 2), 2023
      Richard Gabriele, Carpet of the Broken Heart: Inside Joke Fro Every Lonesome Hunter (No. 2), 2023
    • Richard Gabriele, Carpet of the Broken Heart: Inside Joke Fro Every Lonesome Hunter (No. 3), 2023
      Richard Gabriele, Carpet of the Broken Heart: Inside Joke Fro Every Lonesome Hunter (No. 3), 2023
  • Christopher Tanner

    The New York based artist embellishes his past and present experiences with a lustrous body of work
  • Christopher Tanner, Marcella, 2002

    Christopher Tanner

    Marcella, 2002
    Glitter, paillettes, pearls, and mixed media on canvas
    48 x 108 inches
  • Christopher Tanner - Jewel Boxes

    • Christopher Tanner, Jewel Box #24, 2020
      Christopher Tanner, Jewel Box #24, 2020
    • Christopher Tanner, Jewel Box #2, 2019
      Christopher Tanner, Jewel Box #2, 2019
    • Christopher Tanner, Jewel Box #31, 2021
      Christopher Tanner, Jewel Box #31, 2021
    • Christopher Tanner, Jewel Box #29, 2021
      Christopher Tanner, Jewel Box #29, 2021
    • Christopher Tanner, Jewel Box #3, 2019
      Christopher Tanner, Jewel Box #3, 2019
    • Christopher Tanner, Jewel Box #36, 2021
      Christopher Tanner, Jewel Box #36, 2021
    • Christopher Tanner, Jewel Box #34 , 2021
      Christopher Tanner, Jewel Box #34 , 2021
    • Christopher Tanner, Jewel Box #15, 2020
      Christopher Tanner, Jewel Box #15, 2020
    • Christopher Tanner, Jewel Box #32, 2021
      Christopher Tanner, Jewel Box #32, 2021
  • Maynard Monrow, Orgy, 2017

    Maynard Monrow

    Orgy, 2017
    Mixed media
    14 x 18 inches
  • Carlos Betancourt, The Cut-Out Army, 2006

    Carlos Betancourt - The Cut Out Army

    The Cut-Out Army, 2006
    Multidisciplinary Artist Carlos Betancourt's site specific installation and print on canvas was first exhibited at Art Basel Miami Beach and at La Communidad Warehouses in 2006. Drawing from multiple sources of inspiration, the artist pays tribute to his muses and photographed most of his subjects in their homes. 

    The artist explains in a Q+A with Paul Laster: Each subject was invited to select and use an object that they could relate to, or to which they were attached by memory...The boundaries of the written word sometimes add or restrict the artwork, you never know. Maybe I was organizing like-minded people, which is something I respond to. When I walked the aisle of the installation, I was able to interact by seeing myself in each of the subjects as they stared back. The characters were warriors, gardeners, cooks, lovers, avatars, brides, representing a sort of celebration of the individual and their similarities.
  • A video about The Cut-Out Army (2006), a site specific installation and print on canvas by artist Carlos Betancourt, exhibited in Art Basel Miami Beach 2006 and in La Comunidad, Miami. The video plays tribute to the artist's muses and multiple sources of inspiration.
    • Kim McCarty, Untitled #2, 2009
      Kim McCarty, Untitled #2, 2009
    • Kim McCarty, Untitled #1, 2009
      Kim McCarty, Untitled #1, 2009
  • Supreme/Meissen, Supreme x Meissen Cupid, 2019

    Supreme/Meissen

    Supreme x Meissen Cupid, 2019
    Hand painted porcelain
    11 x 6.5 x 6.5 inches
  • Erika Keck - Drawings (2023)

    The Brooklyn based artist has created a prolific series of drawings that offer a multitude of interpretations containing hypnotic repetition of lines, color and tonal gradients, and anthropomorphic appendages.
    • Erika Keck, EKECK_DRAWING_2023_615, 2023
      Erika Keck, EKECK_DRAWING_2023_615, 2023
    • Erika Keck, EKECK_DRAWING_2023_611, 2023
      Erika Keck, EKECK_DRAWING_2023_611, 2023
    • Erika Keck, EKECK_DRAWING_2023_610, 2023
      Erika Keck, EKECK_DRAWING_2023_610, 2023
    • Erika Keck, EKECK_DRAWING_2023_612, 2023
      Erika Keck, EKECK_DRAWING_2023_612, 2023
    • Erika Keck, EKECK_DRAWING_2023_613, 2023
      Erika Keck, EKECK_DRAWING_2023_613, 2023
    • Erika Keck, EKECK_DRAWING_2023_614, 2023
      Erika Keck, EKECK_DRAWING_2023_614, 2023
  • George Condo, Smiling Girl, 2009

    George Condo

    Smiling Girl, 2009
    Mixed media on paper
    30 x 22 inches
  • Donna Napoli-Steele, L’étrange Coeur, 2023

    Donna Napoli-Steele

    L’étrange Coeur, 2023
    Wood, metal rod, cardboard, acrylic
    4 x 3 x 1.5 feet
  • Marta Martino - Brighton22

    • Marta Martino, Brighton22 (211), 2022
      Marta Martino, Brighton22 (211), 2022
    • Marta Martino, Brighton22 (210), 2022
      Marta Martino, Brighton22 (210), 2022
    • Marta Martino, Brighton22 (223), 2022
      Marta Martino, Brighton22 (223), 2022
    • Marta Martino, Brighton22 (224), 2022
      Marta Martino, Brighton22 (224), 2022
    • Marta Martino, Brighton22 (231), 2022
      Marta Martino, Brighton22 (231), 2022
    • Marta Martino, Brighton22 (213), 2022
      Marta Martino, Brighton22 (213), 2022
    • Marta Martino, Brighton22 (212), 2022
      Marta Martino, Brighton22 (212), 2022
    • Marta Martino, Brighton22 (209), 2022
      Marta Martino, Brighton22 (209), 2022
    • Marta Martino, Brighton22 (220), 2022
      Marta Martino, Brighton22 (220), 2022
    • Marta Martino, Brighton22 (214), 2022
      Marta Martino, Brighton22 (214), 2022
    • Marta Martino, Brighton22 (228), 2022
      Marta Martino, Brighton22 (228), 2022
    • Marta Martino, Brighton22 (206), 2022
      Marta Martino, Brighton22 (206), 2022
    • Marta Martino, Brighton22 (208), 2022
      Marta Martino, Brighton22 (208), 2022
    • Marta Martino, Brighton22 (232), 2022
      Marta Martino, Brighton22 (232), 2022
    • Marta Martino, Brighton22 (222), 2022
      Marta Martino, Brighton22 (222), 2022
    • Marta Martino, Brighton22 (216), 2022
      Marta Martino, Brighton22 (216), 2022
    • Marta Martino, Brighton22 (218), 2022
      Marta Martino, Brighton22 (218), 2022
    • Marta Martino, Brighton22 (227), 2022
      Marta Martino, Brighton22 (227), 2022
    • Marta Martino, Brighton22 (226), 2022
      Marta Martino, Brighton22 (226), 2022
    • Marta Martino, Brighton22 (217), 2022
      Marta Martino, Brighton22 (217), 2022
  • Sterling Ruby, Heart, 2018

    Sterling Ruby

    Heart, 2018
    Ceramic
    21.125 x 36.25 x 6.875 inches
  • Stacey Lee Webber, Lincoln Patient, 2022

    Stacey Lee Webber

    Lincoln Patient, 2022
    Hand stitched paper currency
    3.75 x 7.25 inches in acrylic frame
  • Stacey Lee Webber, Obsolete Bill, 2022

    Stacey Lee Webber

    Obsolete Bill, 2022
    Hand stitched obsolete US paper currency
    4.75 x 8.75 inches in acrylic frame
  • Stacey Lee Webber, Haunted Memorial, 2022

    Stacey Lee Webber

    Haunted Memorial, 2022
    Hand stitched uncut US paper Curren, 1x4 sheet of five dollar bills
    10.5 x 11.5 inches framed
  • Ghada Amer, E-Kit, 2009

    Ghada Amer

    E-Kit, 2009
    Embroidery on paper
    19.5 x 13.25 inches
  • Jessica Harrison - Broken Ladies

    Jessica Harrison - Broken Ladies

  • Unknown Artist, Pair of Paintings of Headless Saints, Circa 1870s

    Unknown Artist

    Pair of Paintings of Headless Saints, Circa 1870s
    Oil on canvas in original gold gilt frame
    44 x 37 inches
  • Jimi Dams, Valentinum, 2021

    Jimi Dams

    Valentinum, 2021
    Graphite on vellum
    9 x 12 inches
  • Raqib Shaw, Willow Psycho, 2020

    Raqib Shaw

    Willow Psycho, 2020
    Pencil, acrylic and enamel on paper
    41 centimeters
  • Jimi Dams, Recipe for Betrayal: one heart + one knife, 2021

    Jimi Dams

    Recipe for Betrayal: one heart + one knife, 2021
    Graphite on vellum
    9 x 12 inches
  • Huma Bhabha, Untitled, 2012

    Huma Bhabha

    Untitled, 2012
    Ink, pastel, acrylic on paper
    24 x 18 inches