Direct Message

December 23, 2021 - January 23, 2022

TW Fine Art presents Direct Message, a group exhibition curated by Preston Douglas. He highlights the digital connectivity between artists with this poignant exhibition - wherein the curator found artists via social media and sent them a "direct message." Featuring works by Andre Yvon, Armando Nin, Brandon Araujo, Earth Aengel, Emma Safir, Frederic Plateus, Grace Deal, Kaneem Smith, Robert Roest, Scout Zabinski, and Shana Hoehn. Direct Message seeks to create an atmosphere where the internet can be a portal to pluck creativity and plop it into the physical world.

 

These artists inhale the post-internet age and exhale work that coincides with the virtual self. The curator's self-diagnosed doom scrolling allows space for others to doom post - the rise of a cyclical search and find, viewing, and seeking. 

 

  • Earth Aengel, Dolphin Gurlz 4 Ever, 2019

    Earth Aengel

    Dolphin Gurlz 4 Ever, 2019
    Bikini wax, resin, metal, blown glass
    100 x 50 x 16 inches
    Edition 1 of 3
  • Earth Aengel, NITE LITE, 2017

    Earth Aengel

    NITE LITE, 2017
    Crystal, e-candle, body wax, resin, shells
    12 7/8 x 4 x 3 inches
  • Brandon Araujo, Nullsec Gate Slip, 2021

    Brandon Araujo

    Nullsec Gate Slip, 2021
    Acrylic on canvas
    58 x 48 inches
  • Brandon Araujo, Hycean Replicants, 2021

    Brandon Araujo

    Hycean Replicants, 2021
    Acrylic on canvas
    63 x 48 inches
  • Eric Brittain, Slow Feeder, 2020

    Eric Brittain

    Slow Feeder, 2020
    Handmade ceramic, glaze, steel
    22 x 28 x 6 inches
    • Grace Deal, Secret Surfer, 2021
      Grace Deal, Secret Surfer, 2021
    • Grace Deal, Bathroom Bottles, 2021
      Grace Deal, Bathroom Bottles, 2021
    • Grace Deal, R. Did I ever love Her, 2021
      Grace Deal, R. Did I ever love Her, 2021
    • Grace Deal, Lifeguards Sunburns, 2021
      Grace Deal, Lifeguards Sunburns, 2021
    • Grace Deal, When Life Gives You Ad Revenue, 2021
      Grace Deal, When Life Gives You Ad Revenue, 2021
    • Grace Deal, Under The Filter of Chlorine and Dyslexia, 2021
      Grace Deal, Under The Filter of Chlorine and Dyslexia, 2021
    • Grace Deal, Ballpoint Racing, 2021
      Grace Deal, Ballpoint Racing, 2021
    • Grace Deal, In The White Water (Sunoco), 2021
      Grace Deal, In The White Water (Sunoco), 2021
    • Shana Hoehn, Ladyjet #1, 2021
      Shana Hoehn, Ladyjet #1, 2021
    • Shana Hoehn, Ladyjet #2, 2021
      Shana Hoehn, Ladyjet #2, 2021
  • Armando Nin, Portraits of a driver, 2009-2015

    Armando Nin

    Portraits of a driver, 2009-2015
    Acquired taxi licenses. Total of 8
    28 ⅞ x 8 ½ x ½ inches
  • Armando Nin, We’re all in the same boat, 2015

    Armando Nin

    We’re all in the same boat, 2015
    Acquired detention center identification cards . Total of 5
    19 ⅝ x 8 7/16 x ½ inches
  • Frédéric Platéus, MK3-160, 2021

    Frédéric Platéus

    MK3-160, 2021
    Plywood, upholstery foam, screen print on PVC membrane
    162 x 25 x 10 centimeters
  • Frédéric Platéus, MK5-120, 2021

    Frédéric Platéus

    MK5-120, 2021
    Plywood, upholstery foam, screen print on PVC membrane
    122 x 60 x 8 centimeters
  • Robert Roest, Antracite Breath, 2021

    Robert Roest

    Antracite Breath, 2021
    Oil on canvas
    78 x 49 inches
  • Robert Roest, At the gates, 2021

    Robert Roest

    At the gates, 2021
    Oil on canvas
    50 x 40 inches
  • Emma Safir, Hortensia Ilmestys I, 2021

    Emma Safir

    Hortensia Ilmestys I, 2021
    Digital collage printed on silk, muslin, hand smocking, hand appliqué, pine, upholstery, foam, silk thread, flashe paint
    28 x 18 x 1 1/2 inches
  • Emma Safir, Hortensia Ilmestys III, 2021

    Emma Safir

    Hortensia Ilmestys III, 2021
    Digital collage printed on silk, muslin, hand smocking, hand appliqué, pine, upholstery, foam, silk thread, flashe paint
    57 x 37 x 1 1/2 inches
    • Kaneem Smith, CrashLand in Lubbock (Slaton), 2016
      Kaneem Smith, CrashLand in Lubbock (Slaton), 2016
    • Kaneem Smith, CrashLand in Lubbock (Whiteface), 2016
      Kaneem Smith, CrashLand in Lubbock (Whiteface), 2016
    • Kaneem Smith, CrashLand in Lubbock (Sundown), 2017
      Kaneem Smith, CrashLand in Lubbock (Sundown), 2017
    • Kaneem Smith, CrashLand in Lubbock (Ropesville), 2017
      Kaneem Smith, CrashLand in Lubbock (Ropesville), 2017
    • Kaneem Smith, ‘Domestic Constellation Series: Swahili Bluu’, 2018
      Kaneem Smith, ‘Domestic Constellation Series: Swahili Bluu’, 2018
    • Kaneem Smith, ‘Domestic Constellation Series: Yoruba Buluu’, 2018
      Kaneem Smith, ‘Domestic Constellation Series: Yoruba Buluu’, 2018
  • Kaneem Smith, Plantation Storyline: Field Bag’, 2021

    Kaneem Smith

    Plantation Storyline: Field Bag’, 2021
    burlap, linen, acrylic, jute, raw cotton

    108 x 28 1/4 x 8 inches
  • Andre Yvon, Lucy, 2021

    Andre Yvon

    Lucy, 2021
    Acrylic on linen
    32 x 24 inches
  • Andre Yvon, Lucy, 2019

    Andre Yvon

    Lucy, 2019
    Acrylic on silestone
    21 x 15 inches
  • Scout Zabinski, Power Down, 2021

    Scout Zabinski

    Power Down, 2021
    Acrylic on paper
    22 1/2 x 30 inches
  • Sienna Berritto, Insurance Claim, 2021

    Sienna Berritto

    Insurance Claim, 2021
    Furniture dolly, cardboard, paper, tape, stamp ink, paint brush, latex paint
    26 x 36 x 17 7/8 inches
  • "Regarding the double entendre of the exhibition title, there is no direct message, per se, for this larger group show. Some of the artists are from Houston. Some live international. Some are NYC locals. There is one thing in common, though; I've met all of these artists directly from my Instagram addiction. I am also interested in exploring these material and medium-based conversations in my practice. In a world where we see so much art on an app, I feel that work experienced in the physical realm should be more than a two-dimensional plane. Paintings now have a larger-than-life (or screen) responsibility to live up to and hopefully surpass our online expectations."

    - Preston Douglas